Showing posts with label Charlton Heston. Show all posts
Showing posts with label Charlton Heston. Show all posts

Friday, March 31, 2023

EARTHQUAKE (1974)

[Note: For this review I watched both the 122-minute Theatrical Cut and the 142-minute Television Cut. Screenshots are from both versions, but mostly the Theatrical Cut.]

At the California Seismological Institute, a lowly graduate assistant comes up with some computations showing that a major earthquake is going to hit Los Angeles...today. He tells his superiors, but they just won't listen. They just won’t listen! Oh god why? Why!? Oh, the humanity! Across town, construction engineer Charlton Heston is rumbling and grumbling about buildings not being built beyond the current codes. He’s also rumbling and grumbling on top a single mom while his old bag wife is at home faking suicide attempts and crying to her father…who’s also Charlton’s boss. Yikes. At the same time, there are multiple other pre-disaster stories going on, including Shaft riding a motorcycle; ex-child preacher Marjoe Gortner as a peeping tom stalking a pre-Dallas Victoria Principal; two nerds in an airplane having a boring conversation; George Kennedy as a LAPD cop getting shitfaced in a bar while Walter Matthau mumbles nearby.

For a mid-1970's disaster flick, EARTHQUAKE is mildly entertaining. I enjoyed the buildup and seeing what was going on in everybody lives. I especially enjoyed seeing Los Angeles in 1974. The earthquake itself looked great, but for whatever reason, the post-earthquake scenes were mostly snoozers. They sound promising on paper (flooding due to a busted dam, psycho soldier gunning down innocent civilians, workers trying to escape a wrecked skyscraper, etc.), but none of them really clicked with me.

Solid acting by a strong cast, good pace that slows as the film moves along, disappointing ending, impressive stunts, truly impressive matte paintings and models, animated blood, tons of vintage cars and fashions, Heston topless, Zsa Zsa Gabor’s hedge, an accidental motorcycle accident and a really weird set decoration where Victoria Principal has a photograph of her brother on her apartment wall…but the picture is a still from a previous scene in the movie! It brought to mind that brain-melting photograph in LADY TERMINATOR.

EARTHQUAKE is totally worth watching for vintage disaster movie fans, but others will probably find it dated and goofy.

Fun fact: you might be asking yourself how is the Theatrical Version 122 minutes and the TV Version 142 minutes long? Good question. EARTHQUAKE was originally released in the theaters in 1974 and then broadcast on NBC in 1976. They wanted to make it into a two-night “event”, but the film wasn’t long enough, so they added a few scenes that were previously deleted and then, in a truly bizarre turn of events, they filmed new scenes and added them into the movie to pad the runtime! Not only does this included new characters, but they even called back some of the original actors to film more scenes!

I’ve also read that in some television markets, the audio to the film was simulcast on a local radio station so you could really crank up the scenes of Ava Gardner and Charlton Heston fighting. And, I guess, the earthquake also.

Sunday, August 21, 2022

THE TEN COMMANDMENTS (1956)

For those of you who don't know, the Ten Commandments are ten rules listed in the Christian Bible that it says humans should live by.  A few of them make sense like "Thou shalt not kill." (yeah, no shit!) and "Thou shalt not commit adultery.", but others like "...the seventh day is the sabbath of the Lord thy God: in it thou shalt not do any work, thou, nor thy son, nor thy daughter, thy manservant, nor thy maidservant, nor thy cattle, nor thy stranger that is within thy gates..." are just silly.

Anyway, although the title of the film is THE TEN COMMANDMENTS, there's actually very little Commandments action going on.  Nope, the vast majority of the movie is about a dude named Moses.  Moses was born in Egypt way the fuck back in the day.  Around the time that he's hatched there was a prophecy that a great deliverer would be born to lead the slaves out of bondage.  So, the guy who owned all of slaves, the evil Pharaoh puts out a decree that all newborn male slave children shall be murdered.  Goddamn!  Moses' mother places lil' baby Moses in a basket and sends him afloat down the Nile river.  As Fate would have it, within one minute of being yeeted into the Nile, the evil Pharaoh's adult daughter (of all people) finds Moses and raises him as her own child.  Awww.  The End.

Oh sorry, that's actually just the beginning of the film!  Moses soon grows up to look like Charlton Heston and it's down to him and the Pharaoh's legitimate son, Yul Brynner, as to who will take over once the Pharaoh dies.  Things are looking pretty good for Moses, but then he fucks up and before you can say "I really wish Twenty One Pilots would cover Phil Collins' 'One More Night'" Moses is now a slave himself!  What the fuck?  Talk about a rags to riches and back to rags again story.

For being an older film THE TEN COMMANDMENTS is still very entertaining.  Yeah, it's as historically accurate as DUDE, WHERE'S MY CAR?, but who cares.  Solid acting by an impressive cast (I think Anne Baxter is the highlight of the movie), great sets, an insanely huge amount of extras, animals all over the place, wildly imaginative story, badass costumes, strong direction, groundbreaking special effects and a quick pace that makes the 220 minute runtime fly by.  I've seen TTC a few times over the years and I'd gladly watch it again right now.  My only real gripe is the ten plagues of Egypt stuff is passed over way too quickly.  It shows a little bit about water turning into blood and the hail storm, but it completely skips over the frogs and boils and locust!  Lame.  Still, it's easily worth multiple watches.  Check it out.